A Review
By Neil Armstrong
In just six months after it was founded, 365 Productions, a
Jamaican-Canadian community theatre company, is staging the play “Snowball from
Hell” written by Basil Dawkins as its introduction to theatre lovers in the
Greater Toronto Area.
Anyone familiar with the prolific playwright’s works knows
that laughter plays a major role.
In an interview with Dawkins, Michael Reckord, in a story
published in the Gleaner on February 21, 2014 notes that: “He finds the
responses of foreign audiences and local ones similar, and "to a large
degree, 'mi come yah fe laugh, me nuh come yah fe tink' is the prevailing
ethos. They come to be entertained, and entertaining means engagement with
story but, most important, generous servings of comedy throughout are desired.
By and large, you better make them laugh, locally or away."
Under the direction of veteran Douglas Prout the actors Judy
“Pye” Cox (as Joycie, Evadney’s mother), John Phillips (as lawyer Mr.
McDermott) Christopher M. Hutchinson (as criminal Rupert), Alma James (as Mr.
McDermott’s secretary Ms. Wilson) and Theresa “Pinky” Baker (as Evadney) embody
their characters and give us a sense of the predicament of their lives. Much of
the movement on stage happens indoors between the office of Mr. McDermott and
Ms. Wilson, and the home of Joycie, Evadney and soon-to-move-in Rupert.
Oraldeen Brown alternates with James in the role of Ms. Wilson.
“Snowball from Hell” tells the gut-wrenching tale of
Evadney, a promising Jamaican teenager from the inner city of Kingston who,
through her mother’s great sacrifice, attends one of the better “uptown” high
schools. Weeks before sitting her final exams she falls ill at school and it is
discovered that she is pregnant. This sets much of the narrative of the play in
motion and explores how Evadney, her new child, mother, and those brought into
her life as a result of circumstances connive, survive and thrive. Who is
accountable to whom and what are the implications of one’s actions?
While there were strong theatrical skills from all the
actors, some were more relatable and believable than others. The exaggerated
distress of Joycie and anger of Evadney were unbearably amplified by the high
volume of the sound which made moments of empathy and tenderness seem forced.
Evadney’s revelation of what led to her pregnancy required a more sympathetic
mother, and a teenager can be angry without yelling at others most of the times.
The Joycie-Ms. Wilson alliance provides an insight into the
bond that both women would form to protect Evadney although they are so
different in the paths they have chosen in life.
Photo credit: Eddie Grant Lawyer, Mr. McDermott, played by John Phillips is confronted by Evadney (Theresa "Pinky" Baker in the Basil Dawkins play "Snowball from Hell" |
Working out the lighting and sound technicalities and
editing the play which was long on opening night should make for a more
pleasurable experience in the upcoming shows on July 12 in Brampton and on July
13 in Scarborough. By then the jitters of the first show and all the kinks
associated with the opening night would have been ironed out.
The spontaneity of members of the audience in their response
to dramatic moments in the play is an indication that this new production house
made a good choice in mounting Dawkins’ play.
365 Productions was founded by Robert Gordon and Kameka
Morrison to “promote the art of storytelling through theatre arts and to use this
platform as a medium to bring communities together.”
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