Friday, 17 March 2017

SOME UPCOMING EVENTS IN MARCH AND APRIL 2017

 
COBA's ' Mande Variations' will be featured in "Moving Blackness: Identity, Hope and Love," March 23-25 at Aki Studio in Toronto.     Photo credit: Yoseif Haddad
MIGRANT DREAMS: Screening and Teach-in
Monday, March 20, 6-9 pm at Nexus Lounge, OISE, 12th Floor, University of Toronto.
Join us for a film screening and discussion of Migrant Dreams, a locally produced documentary that tells the untold story of migrant agricultural workers who are struggling under Canada’s Temporary Foreign Worker Program. Four panelists, including Dr. Eve Tuck and filmmaker, Min Sook Lee, will discuss the politics of migrant labour on Indigenous land. What can be done to fight abuses faced by those who harvest our food? How can Indigenous theories of land help inform this fight?

2017 Call for the Jamaican Canadian Association. Board Members Recruitment. Accepting applications now till March 20. Open positions: vice president, executive secretary, director of fundraising, director of communications and director-at-lare. Contact: 416-746-5772 Ext. 220. jcaboardinfo@gmail.com

Urban Alliance on Race Relations invites you to attend its Annual General Meeting & Public Forum to recognize the United Nations’ International Day for the Elimination of Racial Discrimination on Tuesday, March 21, at Council Chamber, Toronto City Hall, 100 Queen Street West.
Annual General Meeting: 6:00 p.m.-6:50 p.m.
Public Forum in partnership with the Toronto and York Region Labour Council – “UNITE to STOP HATE,” 7:00 p.m.-9:00 p.m.
Speakers: Catherine Brooks, Indigenous Elder
Imam Ibrahim Hindy, Imam, Dar Al-Tawheed Islamic Centre
Anthony Morgan, Lawyer and advocate
Kristyn Wong-Tam, Toronto City Councillor
Hassan Yussuff, President, Canadian Labour Congress

Moderator: Nigel Barriffe, President, Urban Alliance on Race Relations
Entertainment: ECHO Women’s Choir with Annabelle Chvostek, Moyo Rainos Mutamba, TC3 Drummers.
RSVP for the AGM: yumei@urbanalliance.ca or call 416-703-6607 Ext. 0
# Unite To Stop Hate


Collective of Black Artists (COBA) presents “Moving Blackness: Identity, Hope and Love,” March 23-25, 8pm at Aki Studio, 585 Dundas St. East, Suite 120, Toronto.

 If all lives matter, what stories do we carry as we celebrate blackness in a changing world? Where do we find identity, associations, hope and love?
COBA presents a Season of Dance focused on the lived experiences of persons with a connection to blackness in the Canadian and Africanist realities. This expression is suspended in physicality of movement, music and contemporary traditions.

Moving Blackness: Identity, Hope and Love, explores the language of the body, social and political change in celebration of the importance of the African-based influence on music and dance in three intriguing dance pieces featuring one world premiere and the reimagined work of “ Meme: #OurLivesMatter, and the remount of
Mande Variations which incorporates ‘urbanography’ , a dance style of urban Africanist choreography.
(Voted best dance company in NOW best of the City 2013 and with a technique rooted in the African Aesthetics of presentation COBA’s versatility in choreographic themes and music
"makes you sit up and take notice for all the right reasons"Deirdre Kelly, Globe & Mail. 

The Season of Dance choreographers choose to investigate the loss of collective social consciousness and awareness in a world where the potential and its relevance today how can many stories help in creating one voice to tradition, history and purpose of future.
Given the focus on human trafficking and abuse, “ Meme: #OurLivesMatter ” which
saw its premiere in 2015, has been developed further in a response to the consistent
assault on Black bodies globally. Initially prompted by the abduction of the Nigerian school girls by the Boko Haram, the "Bring Back Our Girls" campaigns, choreographer Charmaine Headley realized with the national and international violence against Black bodies in space, resulting in the online call “Black Lives Matter,” further exploration was needed, and as an artist/choreographer, she has a responsibility in creating work that addresses social concerns. These are indeed global stories! 

These have inspired actions and activism bringing awareness to the historic and cyclical violence, abstracting the struggles and fears of unprecedented, at times, non-aggravated assaults on and of the rights of Black people. Initially created on an
all female cast, this iteration is reimagined with a mixed cast.
The work includes original composition by N'dere Nimon Headley-Lindsay.

Mande Variations shatters the pre-conceived notions of what traditional African music can look and sound like. With the use of the Kora, a complex harp-like stringed instrument, the dancer juxtaposes notions of classical and traditional movement. The dynamism of this piece also expands upon modern forms of movement with the use of ‘urbanography,’ (coined in the studio) – a dance style of urban Africanist choreography.
​
COBA, Collective of Black Artists is dedicated to the preservation of the cultural
traditions of Africa and the African Diaspora. The company presents traditional West African dance, music and folklore; Caribbean indigenous dance, music and rituals; and contemporary works centered on African movement aesthetics expressing modern social themes.
At the front of dance education, preserving and innovating on Africanist movement aesthetics for over twenty years COBA has the distinction of being the only company in Canada with a specialized training method developed in Toronto in the 21st century.

Choreography by Bakari I. Lindsay and Charmaine Headley, Co-Artistic Directors of COBA
Musical Composition by N’dere Nimon Headley Lindsay, Uqbar
Performers: Kadeem Faustin, Alistair Graphine, Dammecia Hall, Bakari I. Lindsay,
Aisha Nicholson, Melissa Peter, Debbie Nicholls-Skerritt
Costume Design: BaKari I. Lindsay
Tickets $25-$35 (children, seniors and students)
plus $3 service charge
FOR TICKETS, VISIT: http://www.nativeearth.ca/boxoffice/

​

CEE Centre for Young Black Professionals will celebrate creators and change makers in the community at its CEE Gala on March 25, reception at 6pm, dinner at 7pm at National Event Venue, 1000 Finch Ave. W., Toronto. Tickets: $100. Sponsor a table: $1000. Tickets at www.ceetoronto.com. Formal attire. MCs: Mark Strong and Lola Lawson.

United Achievers’ Club – Brampton presents its 20th annual Celebrity Chef - Men Who Cook 2017 event on Saturday, March 25, 6pm at Century Gardens Recreation Centre Auditorium, 340 Vodden St. East, (at Rutherford), Brampton.

Community Information Event for newcomers and immigrants on Sunday, March 26, 10:30 a.m.-12:30 p.m. at Darul Arqam Islamic Centre, 585 Trethewey Drive, Toronto. Call 416-253-2729 Ext. 6250. Email s.gris@jobstartworks.org
Please note the mosque is a scent free environment.

Public lecture: “50 years ‘Beyond Vietnam’: Dr. King’s Revolutionary Dream Against Our Neoliberral /Neofascist Nightmare” by Robin D. G. Kelley, Professor and Gary B. Nash Endowed Chair in U.S. History, UCLA on Saturday, April 1, 5pm at Bloor United Church, 300 Bloor Street West, Toronto.
Professor Kelley is the author of Hammer and Hoe; Race Rebels; Yo’ Mama’s DisFunktional: Fighting the Culture Wars in Urban America; Freedom Dreams: The Black Radical Imagination; Thelonius Monk: The Life and Times of an American Original; Africa Speaks, America Answers!: Modern Jazz in Revolutionary Times.

Opening with Lee Maracle, author, instructor and traditional teacher, and Faith Nolan, celebrated social justice activist and musician.
Free and open to the public. Wheelchair accessible. ASL provided.

Sponsors: A Different Booklist; Caribbean Studies; Academic Initiatives Fund; New College; Women and Gender Studies; African Studies; Geography and Planning; Centre for the Study of the United States, at the Munk School of Global Affairs; Diaspora and Transnational Studies; Equity Studies; Hart House; History; MVS Proseminar; and the Faculty of Arts and Science at the University of Toronto.

The African Canadian Mental Health strategic planning session will be held on Saturday, April 1, 10:00 a.m.-1:00 p.m. at Ryerson University (Room to be confirmed.) Contact tabonoinstitute@gmail.com for more information.




Thursday, 16 March 2017

Medical school aims at increasing enrolment of black students


By Neil Armstrong

Dr. Lisa Robinson, Chief Diversity Officer, Faculty of Medicine at the University of Toronto.      Photo contributed

Dr. Patricia Houston, Vice Dean of the MD Program, University of Toronto.   Photo contributed


The Faculty of Medicine at the University of Toronto is so concerned about the chronically low numbers of black students attending its medical school that it has initiated a new program.

On March 8, the faculty launched the Black Student Application Program, which will offer a new application stream for students of African and Caribbean ancestry.

There are no targets or quotas associated with this program, which will start with the next application cycle (2017/2018).

Currently, less than two per cent of the medical class identifies as black. The medical school wants its doctors to reflect the general ethnic makeup of the city where 8.4 per cent identify as black.

Dr. Patricia Houston, vice dean of the MD Program, says the numbers have been low for many years.

“We think that we have done a lot to have pipeline programs for students like our mentorship program and through a mentoring program for undergraduates to help them to better understand what is needed to apply to medical school, but inspite of this, it would seem that our admissions process is daunting for them and they don’t feel that they are welcomed.”

She said this is why the faculty is initiating this program to better support black students through both understanding and fulfilling the needs for the admissions process.

It is also being introduced to ensure that if these students are admitted to medical school there that they have supports in place to make them as successful as possible.

Dr. Houston said the University of Toronto is not alone in this; black students are underrepresented in all of the medical schools across Ontario and Canada.

Dr. Lisa Robinson, chief diversity officer of the Faculty of Medicine, says in Canada they have not been good, in general, of asking questions tracking the number of black students that apply vis-à-vis those admitted.

“We need to know who is applying and who is being admitted to medical school because if students are just not applying versus they’re applying and they’re not being accepted, then we know the two situations will really point to very different strategies. Historically in Canada, we have not collected that kind of data.”

However, Dr. Robinson said they have some information about who their medical students are in the last few years but they don’t have a lot of information about their applicants.

“Whatever little information we do have about our applicants suggests that black students also are underrepresented in the applicants pool.”


The Black Student Application Program is based on a similar program, the Indigenous Student Application Program, that has successfully increased the number of Indigenous students in the MD program.

Under this program, students who apply through this new admissions stream will have to meet the same high educational standards (based on GPA and MCAT scores and course requirements), but members of the Black community would be involved.

“We just want to make sure that there are members of the Black community and black physicians who are part of the file review and then part of the interview process,” said Robinson.

The idea is to provide a safe cultural space for black applicants, to make sure that excellent candidates are not being missed due to any unconscious bias on the part of the interviewers.

Dr. Robinson said the short essay is not meant to be a barrier but is really intended as an opportunity for the student to tell them something about themselves “that we wouldn’t normally be able to capture through the rest of the traditional application.”

There is a growing body of evidence which shows that diversity among medical providers results in better medicine.

“We know that you need diversity in medicine so that you can produce better doctors who are better able to care for our community, so we know that if we have enhanced diversity among our medical students, we’re going to have a more diverse physician workforce who are more culturally competent and are better able to care for our population,” said Dr. Robinson.

The chief diversity officer said several studies have shown that minority patients tend to seek care from minority physicians and they report better satisfaction with the care from minority physicians.

 “It took us some time to make sure that we had all of the components in place so that we thought once we launch that it would be a successful program and we’re very proud to be doing this,” said Dr. Houston.

Dr. Robinson graduated from the university’s medical school in 1991 and was one of two black medical students at the time.

“I’m so excited to see this happen,” she said.


[This story is also in the March 16, 2017 issue of the NA Weekly Gleaner.]




Thursday, 9 March 2017

Canada's Hip Hop Archive celebrates Jamaican-Canadian Pioneers



By Neil Armstrong

DJ Butcher of Montreal, Quebec.             Photo contributed

Eekwol of Saskatoon, Saskatchewan.     Photo contributed

Leon 'Eklipz' Robinson of Hamilton, Ontario.       Photo contributed

DJ Grumps -- Mark Campbell, Founding Director of Northside Hip Hop Archive.  Photo contributed


A project to celebrate Canadian hip hop, the pioneers of it, and to develop more diverse curriculum resources for students and teachers – “I Was There,” part of the Northside Hip Hop (NSHH) Archive – is embarking on a tour which will recognize the accomplishments of those instrumental in the early development of hip hop in the country.

Starting in Montreal on March 9, events will also be held in Saskatoon, Hamilton and Toronto. The four pioneers being celebrated are: Indigenous artist Eekwol (Lindsay Knight) of Saskatoon, DJ Butcher T of Montreal, Leon ‘Eklipz’ Robinson of Hamilton, and DJ Ron Nelson of Toronto – the last three are Jamaicans.

Each city’s unique event pays homage to their community of hip hop artists digitizing artifacts and oral histories to be added to the existing archival content on www.nshharchive.ca to encourage future generations to preserve and promote Canadian culture.

Mark Campbell, founding director of NSHH, Canada's first national hip hop archive, says the idea for the project arose from the first Tdot Pioneers exhibition he did in 2010.

“A lot of the elders in the Hip Hop community, the guys that are 45+ or the guys that were 50+, they were reminiscing about all these different events and the common thread was always, ‘O yeah, yeah, I was there, I was there.’ And it was like a moment of exuberant joy in which they’re just remembering these different times of different concerts and what not,” says Campbell, who is of Jamaican descent and an adjunct professor at the RTA School of Media at Ryerson University and a former Banting Postdoctoral Fellow at the University of Regina's Department of Fine Arts in Saskatchewan. 

Campbell said what he wanted to do was to find a way to involve the actual pioneers of hip hop in the archives in a way that honoured their experiences and their struggles.

“With this project, basically what we’ve done is in four cities across Canada, we’ve found folks that have been doing hip hop since at least 20 years and has had a major impact on their cities. We’re publicly celebrating their achievements and then asking them to talk about what’s in their personal archives, so we’re going to digitize some flyers from different cities, and some radio shows, and some other images and get them to talk about archiving and their experience in hip hop culture,” said Campbell who is a scholar, DJ and advocate of the arts, with more than a decade of radio experience. 

DJ Butcher T is a host and DJ on "Club 980" on CKGM, Canada's first hip hop radio program. In 1992, he began "Butcher T's Noon Time Cuts" on CKUT, a show he continues to host today.

Butcher T will be honoured in Montreal with musical tributes by a new generation of hip hop artists, including Nomadic Massive, Narcy and Strange Foots.

In Saskatoon on March 11, the archive will shine a spotlight on Aboriginal women in hip hop whose resilience and brilliance resonate throughout their rhymes. 

Emcee, Eekwol, an award-winning hip hop artist originally from Muskoday First Nation, has represented hip hop culture over the past nineteen years. 

She will lead a panel discussion on Aboriginal women in hip hop and headline the performances for the night alongside T-Rhyme and mRae Grooves.

In Hamilton, a city historically known for its large manufacturing industry and steel factories, the “I Was There!” art exhibition on March 24 honours Eklipz. 

As founder of Hamilton’s Concrete Canvas hip hop festival, owner of the Boom Spot and host on CFMU’s Live ‘N Direct, Eklipz has been central to the growth of hip hop in the city. 

NSHH Archive’s celebration in Hamilton will consist of a solo exhibition of Eklipz’s visual art and a screening of his first documentary film, “I Was There! Steelcity Hip Hop Respective.”

In Toronto, a hip hop radio symposium organized by the Allan Slaight Radio Institute at Ryerson University honours DJ Ron Nelson from the “Fantastic Voyage” program aired on CKLN 88.1. who started his career in the mid 1980s.

“The Fantastic Voyage” was highly influential in promoting and developing many of Canada's early hip hop stars, including Maestro and Michie Mee. 

“Without DJ Ron Nelson, we would have had no Maestro, no Michie Mee and possibly no Drake or Kardinal Offishal. ‘The Fantastic Voyage’ show and all the concerts and events Ron Nelson organized laid the foundation to make a hip hop community and industry possible in Toronto,” says Campbell.

On March 31, hip hop radio show hosts, from both community and commercial radio shows, will discuss their experiences of carrying on the legacy Ron Nelson began.

“The idea is we want to produce more content that would allow for more diverse curriculum resources and better ways for cataloguing the history of racialized people on the margins within this country. Not as people that are experiencing whatever we’re experiencing with oppression, racialization and all that, but as cultural innovators, celebrating them as people that have contributed to making Canadian culture better across the board,” said Campbell.

He said all of the people that are being celebrated are all racialized, majority are Jamaicans.

“The idea is that let’s put you in the spotlight, not because you made a lot of money or not because you’re rich or famous or powerful but because you’re a creator and your innovation has bettered Canadian culture across the board.”

The political part of it, said Campbell, is that “we need to see our folks celebrated while they’re alive and appreciated for what they’ve done, and then the next generation needs to know about them if we’re going to make it sustainable. We need to tell the story and the best way to tell the story is in the classroom with teachers always looking for new resources.”

The NSHH founding director said if he had hip hop in the classroom when he was growing up he would probably have much better grades.

“If I could actually learn about Canadians hip hop stuff that’s about me and about my city it would really matter. I Was There project really comes out of my desire to honour those that came before and to raise the public discourse on how we celebrate people that make Canada better – racialized young people that make Canada better.”

Campbell said they have hired a couple teachers from Ontario and Saskatchewan who will write teacher lesson plans and teacher resource guides that are aligned with their provincial curriculum.

He noted that as Canada celebrates its sesquicentennial there will lots of stories being told about Canada’s history “and how it’s so great, and this and that, and we’re still going to be left on the margins.”

The Ryerson professor said now there is no way to “leave us on the margins” if the kids coming up in school know about the history of Canadian hip hop.

Campbell said what they did not realize when they were putting together the NSHH is that deejays who participated in mix-offs organized by CHRY 105.5 FM years ago went on to battle in world championships and represented Canada.

The first place he started with this project was at CHRY but there are no records left, he said. “Those events inside Jane and Finch Mall and the Metro Mix-Off and everything Alok [Sharma] was doing, it built the capacity of these deejays to compete worldwide and enhance Canada’s brand on the international stage as a cultural community and a hip hop community.”

He said a kid from Mississauga, DJ Dopey, who would have been young at the time when DJ Grouch, he and others were doing Metro Mix-offs ended up winning the DMC World Championship in 2003.

“All of that is connected back to just CHRY doing its thing in the community. We can’t tell that story yet so part of my desire is to make sure everyone that’s paying attention understands that when we do these little tiny things that seem like they’re not big budget or huge scale they have long-term impacts that are positive to many people that are involved.”

Campbell said there are hip hop pioneers right across Canada, like Odario Williams of Winnipeg, organizer of a hip hop festival for about 10 years and people would drive from Toronto to perform there.

“That kind of cultural infrastructure that he was building in Winnipeg, there’s no narrative of how much it contributed to the culture of Winnipeg and how much Winnipeg has benefitted as city.”

There is also DJ Rudeboy in Ottawa, a breakdancer who catalogues everything well and lots of pioneers all across the country that “I haven’t had the privilege of meeting yet,” says Campbell.

He also mentioned Edmonton-born rapper, Cadence Weapon, who is based in Montreal now but whose late father was a radio show host in Edmonton in the 80s bringing hip hop to the airwaves. 

“There’s a bunch of people so when they start talking about Justin Bieber and Drake and The Weeknd and how well we’re doing on the music scene worldwide, there’s a bunch of people that built that infrastructure that are still alive that we need to celebrate,” said Campbell. 

He said the other part of this project is watching people get excited about someone valuing what they’ve done.

“Since I started this project at least four guys have died and all of their stories are gone. But when I was talking to them and they were alive and I’m telling them what we’re doing they’re like, ‘thank you, thank you for, you know my parents were telling me I shouldn’t do this and thank you for validating that I contributed to the culture.’ It made them feel good that they had value. That’s the part that you won’t find in the newspapers and that’s the most important part.”

Campbell said back in the days, Nicky Davis, now manager of program development at CBC Radio, and his brother had a soundcrew, Imagination crew, that was based in Mississauga and they would drive into Toronto.

“All of those stories Nicky is a great guy to tell because it demonstrates that not only do we have a vibrant culture but like one of my follow-up projects is about Jamaican sound systems…that’s going to come out when these guys talk, about how those kinds of innovation and culture contribute to what these guys end up doing in Canada and making a life out of this.”

Campbell said there is a huge story to be told about the impact of Jamaican culture in the diaspora and how Canada benefits kind of, sort of residual benefit from these guys being so committed to some of these radio shows for 25 and 30 years for free and everyone else benefits from it.

Speaking of the impact of hip hop and Canada’s Indigenous peoples, having attended some events in Regina, Campbell said, “Hip Hop for native kids now is major. It’s a major source of consciousness. If you really wanted to hear good hip hop you got to go to the reserves. It sounds like 1988, it sounds like people have a social critique.”

Northside Hip Hop Archive is a digital collection of Canadian hip hop history and culture.

Tuesday, 7 March 2017

Viola Desmond Day Awards recognize the success of Black Canadian women


Dr. Annette Bailey, Associate Professor, Daphne Cockwell School of Nursing, Ryerson University, left, and Siifan Hassen, Grade 12 student at Central Technical School, recipients of the Senator Wanda Thomas Bernard Award and the Viola Desmond Award.

Sharon Folkes-Hall, 4th year Social Work student, recipient of the Viola Desmond Bursary.

Donica Willis, Graphic and Web Specialist, Ryerson Student Affairs, recipient of the Rosemary Sadlier Award.

Devenae Bryce, Business Technology Management Program, Ted Rogers School of Management, recipient of the Paulette Senior Award.




Dauna Jones-Simmonds, left, and Dr. Denise O'Neil Green, co-authors of the book, "100 Accomplished Black Canadian Women," being interviewed. Jean Augustine is also a co-author of the book.

By Neil Armstrong

In celebration of the strength of Black women, Ryerson University presented four awards and a bursary to five women at its 9th annual Viola Desmond Day awards ceremony on March 6.

The five recipients are: Dr. Annette Bailey, associate professor, Daphne Cockwell School of Nursing; Donica Willis, a graphic and web specialist at Ryerson Student Affairs; Devenae Bryce, a student in the business technology management program at Ted Rogers School of Management; Siifan Hassen, a Grade 12 student at Central Technical School; and Sharon Folkes-Hall, a 4th year social work student.

Organized by the Ryerson Black History Awareness Committee, each year the awards are named after Black Canadian women “who have made it easier for the Black community to grow and have success stories for us to celebrate today.”

This year, the awards were named: Senator Wanda Thomas Bernard faculty award, Rosemary Sadlier staff award, Paulette Senior Ryerson student award, and the Viola Desmond high school student award, which is the only standing award at the ceremony each year.

Willis, who moved to Toronto from Halifax (Preston) in 2010 to study graphic communications management at the university and received the Rosemary Sadlier award, said it “hit a soft spot.”

She said Desmond was from where she is from in Nova Scotia and while growing up she knew about her and view her as someone who did amazing things.

Her passion for arts and creativity through design led her to a full-time position at the university upon graduation and she founded her graphic design company, DW Creativ.

Her most recent art project, the annual BLAQK GOLD, is a visual campaign that aims to celebrate extraordinary black people from around the world during February.

“I didn’t really make it to create this big income or anything. It’s really just me expressing my art through something that is near and dear to me as someone black.”

Before going to Ryerson, Bryce earned a bachelor’s degree in forensic science from Laurentian University where she also played basketball.

“I’ve always wanted to help people and I always loved science so I knew that forensic science was like a good way to balance both of those passions of mine,” says the Paulette Senior award recipient and student athlete whose five-year basketball career at Ryerson came to an end recently.

She says her love of technology and computers, a sector which changes everyday and is a very demanding, is causing her to lean towards a career in computer forensics.

Women of colour are uncommon in this demanding field but she uses this as motivation.

Bryce lived in Newmarket for 10 years where she was the only black girl in most classes and on the sports team. She then moved to Whitby, Barrie and Sudbury before coming to Toronto.

She had to teach herself about Black history in the library and would do her projects on people like Malcolm X and Rosa Parks and share them with her peers.

Being the child of a single mother who came here from Jamaica, Bryce praised her mother for being a major inspiration in her life.

Dr. Bailey, recipient of the Senator Wanda Thomas Bernard award, holds a PhD in public health science.

Her research sheds light on the immense grief and traumatic stress experienced by black mothers who lose children, and youth who lose siblings and friends to gun violence.

She works closely with community-based organizations to support families affected by community violence.

“Community organizations that are addressing the issue of gun violence are not very popular. They’re not popular, in terms of getting funding like other organizations, and so they are always needing resources, whether it be in terms of ideas to develop their programs, expertise in funding proposal development, as well as helping to run planned programs.”

The few organizations that she works with consistently are in the Jane and Finch area where “they tend to be the ones that have needs the most and they are well-situated in one of the communities that’s very much impacted by gun violence.”

She helps the Out Of Bounds grief support organization in applying for funding, to do grassroots research, promote the research and build capacities around writing and publishing the work in journals and in book chapters.

In 2015, she established a scholarship program in the Jane and Finch community to support the educational pursuits of at-risk youth.

“I did that because as we know our black men nowadays are falling rapidly to gun violence. I see that our black youth are more than just images of criminality. Black men have a place in our society and they need to be able to live long enough to be able to take their rightful place in communities, in their families, as fathers, and mentors and advocates. Unfortunately, they’re not getting that opportunity and we cannot just focus on the reactive effort, we have to be proactive, and proactive means that we do what we need to do to prevent violence, to prevent them from dying and education has been dear to my heart.”

Bailey grew up with her grandmother telling her that education is the key, that knowledge is power and so she took that to heart.

“Starting the scholarship program is a way to help them to even see their potential for university and so far this is the second year that its been running and we’ve been able to give out dozens of awards, particularly to black youth in the Jane and Finch area. Because of having that resource in place, they know see that it’s possible for them to get the resource to go to university.”

Professor Bailey has been advocating for resources for survivors of gun violence.

She said grief is debilitating for mothers whose children, particularly their sons, are gunned down.

“Many of them lose their jobs because they can’t cope, some lose their homes and all their financial means.”

She said what she is seeing is that 90% of black mothers in Toronto who lose their children to gun violence do not get victim compensation for various reasons, such as, “your child was known to the police and because you’re not demonstrating what they call mental shock in order to show that you are severely mentally affected by the issue and seeking psychological resources. Many of these mothers don’t have the energy to even seek it and they don’t have the monies to be able to afford it.”

Bailey said what she is hearing as she interviews youth is that they are not getting the supports in place as well.

“One youth can lose up to 30 friends in gun violence. Imagine the trauma of that on a youth, their psyche. Some of them end up dropping out of school, some retaliate the death of their friends and their siblings. There are no mental health, community-based mental health or any other system-based mental health resources for these youth. So what we’re seeing is massive mental health problems that is misunderstood and misinterpreted for some other issue, for rebellion among the youth. But many of them are suffering from mental health problem and mothers are also suffering, and it’s important that we are able to understand their plight. The families are impacted, the communities are impacted, and the reason that many of these mothers are breaking down, some are developing even high blood pressure and other physiological diseases is because they don’t have the social and the system support and the financial support to help them.”

Hassen, recipient of the Viola Desmond award, tutors her peers and younger students in one of her favourite subjects, chemistry.

As a self-supporting student, she manages to work part-time and maintain an average between 80 and 90%.

She is very passionate about inequality and injustices around the world and enjoys giving back to the community.

“I think it’s very important because a lot of people don’t have access to what some people take for granted and I think that’s really important for people to understand and recognize. I attribute it really to my parents, what they’ve shown me of the world, like my mom, she always tells me you’re a woman, you’re black and you’re Muslim, you’re ultimate minority. You’re going to have to work three times as hard so I want to help as many people so they don’t necessarily have to work as hard so that they have chances that they might not have gotten otherwise.”

Hassen wants to become a successful businesswoman and be able to employ as many people as possible.

“Hopefully that spans across multiple borders because my goal is to not only open a business but a business in a developing nation where I can help them start up and give them jobs and opportunities so it helps them and helps their kids.”

Hassen says Viola Desmond is one of her icons because she was not only a successful businesswoman – which she hopes to be – but she was also an activist and led the way against segregation.

Folkes-Hall received the Viola Desmond bursary. She acknowledges the intersectionality of oppression and discrimination which informs her commitment to social justice, equality and freedom for all people.

She said she feels like Desmond is one of her aunts as the “culture calls for many aunties and uncles, adopted brothers, sisters, their relatives.”

“I feel like I would be saying Aunty Viola, you go, you did it, you rock, in my language, Jamaican language we say she’s good as gold and she is.”

Her ancestry is made up of communal, African and Jamaican traditions and customs centred on unity and togetherness.

It is from this ancestry and upbringing that she has learned the value of caring, and showing respect for one’s elders, as well as all diverse groups.

The social work student has a wide range of community-based volunteer experience with many organizations, including the 519 Community Centre, Women’s Health in Women’s Hands, Marcus Garvey Youth Club, Jamaica Daughters of Domestic Help, among others.

She said Daughters of Domestic Help was organized to recognize that these Jamaican women came here with professions, to acknowledge the work they did and to reflect on what they “had to give up to come here. A lot of times that is not spoken in our Canadian society, but they had to give up their family. It's a part of displacement as well because they couldn’t come in saying that ‘I’m a mother and I have a family.’ They had to be single women coming in and how they were treated.”

Folkes-Hall said social justice is in her DNA and she wants equality achieved before she dies.

“What equality mean to me is when I enter into a place I don’t have to put up with any racist subtle practices, or belief or hindrance and it pains me as well because young people are going through it.”

She says there is a ‘sistering,’ a movement of Black, Caribbean and African descent women where she goes to unpack all the systemic racism and structural barriers and there are young people who are saying this is how we feel, this is what’s going on.

Dr. Denise O’Neil Green, assistant vice president/vice provost equity, diversity and inclusion, said it was wonderful to know that as a community Ryerson University is the only one in Canada that has an annual celebration in the memory of Viola Desmond.

“And we’re also one of the few institutions in the country to offer an annual Viola Desmond bursary,” she said, noting that in the States where she is from many universities across the country celebrate Dr. Martin Luther King Jr. day, week or month.

“Wouldn't it be something if Viola Desmond and her legacy was celebrated every year to remind us of where we’ve been, where we are now and where we need to go?”

Darrell Bowden, manager of EDI – education and awareness for the Office of Equity, Diversity and Inclusion (EDI) said the idea for the Viola Desmond Day awards started when a male social worker entered his office one day and told him that he had heard about Desmond and wanted to know what Ryerson could do to celebrate her.

Bowden, who is from New Glasgow, Nova Scotia, listened and it was from that idea “that we started talking about how do we celebrate, how do we create a story and create a synergy that allows us to celebrate the history of this individual while at he same time helping to build an educational program that allows folks to learn more about other black women of Canadian history who we don’t know. Thus was born the Viola Desmond Day ceremony.”

The awards are based on a nomination process involving members of the university community who nominate a faculty member, a staff member and a Ryerson student. Community partners nominate the high school student.

Bowden said there was a connection of the event and the book, “100 Accomplished Black Canadian Women,” that was being signed at the reception just before the awards ceremony.

“Viola’s story needs to be written down. A lot of our black women need to have their story written down so that we have that database of information that we can now search and find out who else is notable in Canada.”

The co-authors of the book are Jean Augustine, Dauna Jones-Simmonds and Dr. O’Neil Green.

“The fact that you’re doing this it truly is a celebration of the social justice work of Viola Desmond but also all women and certainly women of African descent around this country so it’s not just here in Toronto,” said Senator Thomas Bernard.

Desmond was an African-Nova Scotian whose story involved one of the most publicized incidents of racial discrimination in Nova Scotian and Canadian history.

Senator Thomas Bernard said Desmond’s activism did not start that day on November 8, 1946 but went as far back as her reason for starting her own beauty school.

“Did you ever ask yourself why did she have her own beauty school? Because she couldn’t get into the beauty schools because segregation was alive and well in Nova Scotia and she not only made a change and made a difference for herself but she created those opportunities for any African-Nova Scotian woman who wanted. And she was traveling because she wanted to take products that she was creating.”

The senator said the enormity of that inspires her to a level that she can’t even speak to.

Senator Thomas Bernard said segregation is alive and well in Nova Scotia, it’s just not legally segregated.

“And so we need people to stand up. Viola Desmond sat down so that she could stand up for her rights and we all need to be standing up for our rights and the rights of everybody every single day. So that when we see things that are out of step, we need to say something about it and we have to find the courage deep within our souls to do that. That’s what Viola Desmond did, that’s why she was able to take a stand in that theatre because she knew, she had the conviction of a person who knew that if she continued to allow her rights to be eroded, the rights of other people were being eroded as well.”

Rosemary Sadlier, former president of the Ontario Black History Society, said she met the late Carrie Best when she was working on her first book because there was not a lot of African Canadian material.

“In meeting Carrie Best, I was apprised of the situation of Viola Desmond and yes, absolutely, I credit and support and thank Viola Desmond’s sister, Wanda, for helping to share her story over time and advocating for that but I did too and many of you may well have as well. I did by virtue of going into schools, seeing that they would talk about Rosa Parks who I also met, wonderful beautiful woman but in praising and hold up and affirming this African American we were somehow managing not to recognize the amazing people that had done and contributed, sacrificed, suffered to make a difference for all of us.”

Sadlier said while Rosa Parks was selected, vetted, trained and had a cadre of legal and community activists ready to assist her at every turn and “was the chosen test case,” Viola Desmond was not.

“Viola Desmond went out there and did her own thing to the best of her ability and yet this person who didn’t have a plan ended up becoming this person who is going to be someone you will never forget.”

Senior, president and CEO of the Canadian Women’s Foundation, Canada’s public foundation for women and girls, said it was important that Ryerson had chosen the time between Black History Month and International Women’s Day “to combine this incredible important event to celebrate women but not just women, black women, African Canadian women in the glory of who we are.”

She said she was proud to be a part of this community of women and look forward to the leadership of those women who received awards because they are now being handed a baton “for which you now will become responsible for passing on to others.”

Viola Desmond will be featured on the $10 bill which will be unveiled in 2018.

The Ryerson Black History Awareness Committee is already planning its 10th Viola Desmond Awards for 2018.

This year, it will be launching a fundraising campaign aimed at establishing an endowment fund for the Viola Desmond program and bursary.

In 2018, there will be a two-day symposium that will examine “Black Women in Leadership.”

The emcees for Monday’s event were Kia Cummings and Priscila da Silva with entertainment provided by the Sam Heineman Quartet Kwebena Yafue African Drums Circle, and Knikole, Denese and Renee Whittaker.

Friday, 3 March 2017

Some 2017 International Women's Day (#BeBoldForChange) Events


Jean Augustine at play with Brother Oji, Michelle and Andrew at the Oware Tournament & Family Fun Day at the Africentric Alternative School in Toronto on Oct. 15, 2016. She will be at the 9th annual Viola Desmond Day Awards at Ryerson University on March 6, 2017.

Sandra Whiting, who will be the keynote speaker at the JCA's International Women's Day event on March 12 being interviewed by me at the unveiling and dedication of Ontario Square benches at Harbourfront Centre in Nov. 2014.


On Saturday, March 4, 8pm at St. Lawrence Centre for the Arts, 27 Front St. East in Toronto, Up From The Roots will present the “When Sisters Speak” spoken word concert 2017 with Mahogany Browne (NYC), Jemini (Toronto), Rabbit Richards (Montreal), Jassmine Peters (Detroit), and Paulina O’Kieffe (Toronto). It will be curated and hosted by Dwayne Morgan. The event has been around since 2001. www.dwaynemorgan .com



Canadian Muslim Women Organize Special Conference to Address Global Unrest

Ahmadiyya Muslim Women’s Association Hosts a Unique Peace Conference:

“The Role of Religion in the 21st Century”

Event:

The Ahmadiyya Muslim Women’s Association is hosting a special Peace Conference titled The Role of Religion in the 21st Century on Sunday, March 5, 2017 from 10am to 1:30pm at the national headquarters of the Ahmadiyya Muslim Jama`at Canada located in Vaughan, ON. Each year, this unique program is organized on International Women’s Day to recognize the contributions women make to domestic and global peace.  

The Ahmadiyya Muslim Women’s Association, in collaboration with esteemed religious and public leaders, invites members of the public to the Peace Conference to help build bridges and create inclusivity. The conference aims to generate public dialogue, promote inclusion, acceptance and deeper cultural understanding.

Speakers from various faith groups will share their perspectives on how religion can help build bridges to bring communities together. A unique opportunity to tour one of Canada’s most iconic mosques, Baitul Islam, will be arranged for attendees.

When:   Sunday, March 5, 2017 – 10am to 1:30pm

Where:  Tahir Hall Community Centre (Baitul Islam Mosque) – 10610 Jane Street, Vaughan, ON



*RYERSON TO CELEBRATE THE STRENGTH OF BLACK CANADIAN WOMEN*

 Ryerson University will honour the extraordinary
achievements of Black women from the university’s campus and in the
community at the *9th Annual Viola Desmond Day Awards
<http://www.ryerson.ca/equity/events-workshops/viola-desmond-awards/> *Ceremony
on *Monday, March 6*. The recipients, selected by a committee of Ryerson
students, staff and faculty, will each receive an award named after the
following prominent Black Canadian leaders:

- Viola Desmond High School Student Award and Bursary: Siifan Hassen,
Central Technical School
- Senator Wanda Thomas-Bernard Faculty Award: Dr. Annette Bailey, Daphne
Cockwell School of Nursing
- Ms. Rosemary Sadlier Ryerson Staff Award: Donica Willis, Ryerson
University Student Affairs
- Ms. Paulette Senior Ryerson Student Award: Devanae Bryce, Ted Rogers
School of Management

Also being awarded is the Viola Desmond Bursary which offers financial
support for a Ryerson student who exemplifies success and involvement at
Ryerson and in the local community. The name of this year’s recipient is Ms.
Sharon Folkes-Hall, School of Social Work.

As part of the event, Ryerson Assistant Vice-President/Vice-Provost Equity,
Diversity and Inclusion, Denise O’Neil Green, and her co-authors, Jean
Augustine and Dauna Jones Simmonds, will be onsite to sign copies of their
book, *100ABCWomen <http://www.100abcwomen.ca/>*. The book highlights,
documents, acknowledges, and supports the accomplishments of Black Canadian
women in all areas: social, educational, political, and professional.

As part of the Black History Awareness series at Ryerson, the annual Viola
Desmond Day Award Ceremony showcases talent from students, staff, faculty
and the larger community, while raising awareness of the diverse and
little-known stories and contributions of past and present Women of African
descent in the building of Canada. It has been organized by Ryerson
University’s Black History Awareness Committee.

The event is named for Ms. Viola Desmond, her efforts in achieving human
rights and desegregating public spaces for Black people in Canada during
and following her arrest for being Black in New Glasgow, Nova Scotia in
November, 1946—nine years before the incident in the United States
involving Ms. Rosa Parks. In December 2016, the Bank of Canada announced
that Viola Desmond would be the new face of the $10 Bank note, expected to
begin circulation in 2018.

*WHAT:* 9th Annual Viola Desmond Day Awards Ceremony

*WHEN:* Monday, March 6, 6 to 8 p.m.

(Gallery walk and reception from 5 to 6 p.m.)

*WHERE:* The Commons, 2nd floor, POD 250

380 Victoria St., Ryerson University


Junior League of Toronto will host its 4th annual International Women’s Day event on March 8, 5:45-9pm at YWCA Toronto, 87 Elm St., Toronto (north of University & Dundas). There will be a screening of the film, SOLD, about the fight against human trafficking especially the sexual exploitation of children. Reception begins at 5:45 pm, screening begins at 6:45 pm. Guest speakers: Jennifer Keeler, coordinator of Chantal’s Place, and Julie Neubauer, Covenant House Toronto – manager of human trafficking services. A free event. www.jlt.org karen8hanson@gmail.com



International Women’s Day Toronto 2017 Rally and March starting at the University of Toronto Medical Sciences Building, 1 King’s College Circle on Saturday, March 11. Rally at 11am, King’s College Circle; march at 1pm, and fair at 2pm at Ryerson University, 55 Gould St., Toronto.


Walk Good Art House presents “Inheritance: Songs of Emancipation” – a gospel music tribute to International Women’s Day on Saturday, March 11, doors open at 6:30pm, concert begins at 7:15pm at Toronto East SDA Church, 4548 Shepard Ave. East, Scarborough. Tickets: $15 (advance), $20 (at the door) info-inheritance@rogers.com


The Women’s Committee of the Jamaican Canadian Association presents its annual International Women’s Day Celebration on Sunday, March 12, 2:00-5:00pm at the Jamaican Canadian Centre, 995 Arrow Rd., Toronto. Keynote speaker: Sandra Whiting, speaker, storyteller and event host. jcawomenscommittee@gmail.com Call 416-746-5772